Where two design languages seem to be different, Zaven often see connections, which coincide with their diverse research interests and their constant crossover between communication, design and art. You get to see objects from design powerhouses like Patricia Urquiola and Gae Aulenti along with ambitious and sometimes eccentric works from relatively ignored Italian designers of the past—the presentation intentionally presents no hierarchy between the two groups, again for the purpose of highlighting ideas as opposed to names and singular authorship.
In this royal bedroom interior designs you can see traditional rugs and carpets, royal bedroom curtains, royal bedroom wall ideas, royal bedroom furniture styles and more of bedroom decor parts such as bedroom gypsum decorations as sixth picture’s of royal bedroom pictures.
Francesca Molteni is convinced that Molteni&C (established in 1943 by Angelo Molteni) must look beyond Europe, believing the company’s younger generation can better adapt to an Internet-led design world and communicate essential values such as sustainability.
The rest of the show presents pieces from hundreds of different female designers throughout Italian history—navigating the installation as a river, or a timeline, that begins in the late nineteenth century and ends with bold works of the present day.
In a 2013 interview with online design magazine Dezeen, Patrizia Moroso, creative director of Italian furniture brand Moroso, suggested that Milan unfortunately is sitting in the past and the past is gone… the most important people of the beautiful past of Milan are very old or dead” (Source: Dezeen ). Despite Italy’s wonderful crafts heritage, Moroso was concerned that the country was in a crisis, not wishing to change or move forward.